This unprecedented cinematic production is an in-depth look at Game 6 of the 1998 NBA Finals, which saw the Chicago Bulls and Utah Jazz go head to head in one of the most iconic games in NBA history. Game 6: The Movie features exclusive, never-before-seen game footage captured by five different NBA Entertainment cameras and a presentation of the historic game in new innovative ways. It is accompanied by original commentary from Bob Costas, Isiah Thomas, Doug Collins, Ahmad Rashad and Jim Gray.

Three teams of two children play a series of movie-related games in order to win movie-related prizes.

Cybergeist takes the viewer on a deep dive into a future that is already secretly happening all around us. A future that is affecting modern warfare, the health of our planet, and every aspect of our daily lives. There is no part of government, the military, private industry, or our learning institutions that is not affected by what filmmaker Tim Crawford calls the Cybergeist Matrix.

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Hitori Gekidan gets off a crew bus, assuming he will participate in a travel program. He overhears people in the monitoring room announce the beginning of the "24 Hour Kiss Pressure Game." He is then assaulted by attractive actresses pleading for a kiss as well as deadly mercenaries and zombies attempting to kidnap him. Soon he grasps his character and situation. He is Shogo Kawashima aka The Desert Reaper and he is on the run with Aoi Tsukasa (Aoi Tsukasa). For unknown reasons, the Red Shadow, who raised him, wants him back.

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The Movie Movie shows how the camera, editing techniques, make-up and sound can be used in film and video to deliberately manipulate our perceptions and emotions. Drama, action and slapstick humour are combined in a simple, family-oriented plot. There is no dialogue, but there is an explanatory song. Behind-the-scenes vignettes highlight the message that in a movie everything is not quite as it seems.

Two geeky video bloggers are sucked into a truly awful Z movie. On their return to the real world, they discover they have been pursued by the characters of the trashy films they adore.

http://www.culture.pl/en/culture/artykuly/os_kawalerowicz_jerzy 1968 GRA / THE GAME (screenplay with Andrzej Bianusz). A couple married for twelve years is in crisis. The husband and wife play a game with each other, in which one partner wants to gain the upper hand over the other. An intimate psychological drama. Kawalerowicz took 3 years to make this film, with his wife playing an architect on the verge of the menopause who sees a possible avenue of escape from a stale marriage. Though well-received initially, it was not widely seen on account of the student unrest that had broken out in 1968, leading to a government crackdown and a slew of sackings in the film industry. This was when Kawalerowicz was fired as head of the Kadr unit.

It’s the typical boy-meets-girl game, but played without rules and at a time when the boy must prove himself. Touching on the subject of teenage sexuality, the film shows that the game often starts with a challenge to the boy’s masculine ego from his peers.